12 posts categorized "Around Town"

September 03, 2008

Around Town: IIT Main Campus

By Kristine Angell

Mies Van der Rohe Tour
IIT Main Campus, August 2008
http://mies.iit.edu/

mccormichall.jpgThis past August new ID students visited the IIT main campus and the Institute's past (Crown Hall) for a tour of the campus and its landmark buildings. The Mies van der Rohe campus gave us a healthy dose of the Bauhaus ideals--an inspiring starting point to our graduate education. New buildings by Rem Koolhaas of OMA and by Murphy/Jahn sparked notions of dissonance and accord, reminding us that nothing is sacred and that change is constant.

crownhall.jpgFoot sore, but with spirits high, we returned to ID ready to start the new year.

March 10, 2008

Around Town: Pecha Kucha

amy-batchu-at-pecha-kucha

Last Tuesday Martyr’s was packed to a sold out crowd for Pecha Kucha night. This was Chicago’s 4th Pecha Kucha, which began in Tokyo five years ago as a presentation style performance for designers. Amy Batchu was among that night’s thirteen presenters, who each presented slideshows of 20 images in 20 seconds in any topic.

By Amy Palit, Photo: Eric Niu

Continue reading "Around Town: Pecha Kucha" »

February 25, 2008

Green is Good: The 2008 Chicago Auto Show

By Prashant Desai

Imagine for a moment, that Gordon Gekko, the capitalist sociopath from Oliver Stone’s Wall Street (1987), was instead a modern day auto executive. His most famous quote from the movie might have gone a little more like this:

“Green, for lack of a better word, is good. Green is right. Green works. Green clarifies and cuts through and captures the essence of evolutionary spirit. Green in all of its forms, green for life, for money, for love, knowledge has marked the upward surge of mankind. And green, you mark my words, will not only save the US Auto Industry, but that other malfunctioning corporation called the USA.”

Indeed, at the 2008 Chicago Auto Show, it seemed as though the US Auto Industry had recently hired Captain Planet as a consultant.

Every February, North America’s largest auto show establishes temporary residence at Chicago’s massive McCormick Place convention complex. Occupying 1.2 million square feet with 1000 vehicles, the Chicago Auto Show is the third largest auto show in the world. If that weren’t impressive enough, the floor of the McCormick place convention center can accommodate 26 Boeing 747s and 24 Sears Towers.

This show isn’t for the agoraphobic, claustrophobic, or motorphobic.

If you didn’t have the opportunity to attend this year, worry not. I encourage you to experience the show vicariously as I recount my hectic 3 hours.

Continue reading "Green is Good: The 2008 Chicago Auto Show" »

Bruce Almighty

by Laura Franek

“If it’s not going to change the world, let’s move on.”
— Bruce Mau, Dean’s Lecture, Northwestern University | 02.19.08

spectacle2.jpgThe message resonating inside the Ford Motor Company Engineering Design Center at Northwestern University was simple and intensely optimistic: unlike any generation before us, ours is about daring to think of the welfare of the whole human race as a practical objective.

Right now, it would take four planet earths to do all the things we want to do for 6 billion people. We are a living proof of 20,000 years of technological progress as we double our capacity every 12 months, at such an accelerated rate of progress we’re experiencing those 20,000 years every four minutes. If everything is changing, we can’t design the old way. Shifting focus from that knowledge, the question is now "what are we going to do"?

Continue reading "Bruce Almighty" »

November 25, 2007

Bruce Mau: Designer's Responsibility @ Archeworks

__013_copy By: Andrew Buhayar + Ido Mor

Do You Know Larry Brilliant?

Bruce Mau gave a lecture on Wednesday (November 14, 2007) evening to a packed house at Archeworks —and no, the lecture was not completely about Larry Brilliant–but we’ll get to that …Mau’s essay for this lecture will be published for The Archeworks Papers, Volume 1, Number Five that will be released in Spring 2008.

His reading began with the question, “Now that we can do anything, what will we do?”

To begin answering the question he first broke it down by addressing: Who are “we”; whether “we” can actually do anything; and the overall ethical obligation that comes with answering the question.

The question is very much in the spirit of Mau’s ongoing Massive Change work, in which he challenges designers to apply themselves beyond the “old thinking” of pure aesthetics. New thinking, according to Mau, must, “address complex systems. Take the practice of design to a higher level of resolution,” said Mau.

To begin, Mau discussed how in the first half of the 20th century, Marcel Duchamp broke away from the institution of the museum, testing the notion that art exists in any object or context. To this day, experts are still attempting to interpret Duchamp’s work and philosophy. Mau deemed that design has yet to make such a leap, but shared a few examples of people with the courage to think differently.

Mau spoke about the work of several individuals, all of whom are working on problems that will “change the world”. In fact, Dean Kamen, inventor of the Segway, won’t waste his time with anything less. Kamen is now working on using Sterling engines to convert biomass into electricity. Not stopping there, Kamen went beyond the standard 25 percent conversion efficiency, making use of the remaining 75 percent (which would normally go to waste) for water purification. Mau also talked about Janine Benyus, co-founder of Biomimicry Guild, who is developing “the Google of biomimicry,” as he called it—a search tool bringing the scientific knowledge of natural systems to designers around the world. Jaime Lerner was the third example, famous for bringing sustainable transformation the Brazilian city of Curitiba, and tremendously bettering quality of life of its citizens during his time as Mayor.

Finally, we came to Larry Brilliant.

In a show of hands it appeared only one or two people in the audience had ever heard of Brilliant—one of the leaders behind the World Health Organization project to eradicate smallpox. “There’s something wrong with our culture,” noted Mau,” when we’re paying homage to Britney Spears and not recognizing people like Larry Brilliant.” Mau urged designers to move beyond the temporal trends of fashion and aesthetic, and take on problems with greater complexity, adding, “We have created an ethical obligation to act.” In the end he reminded the audience of the famous tagline from the Massive Change movement, “It’s not about the world of design. It’s about the design of the world.”

Bruce Mau: Designer’s Responsibility @ Archeworks

__013_copy By: Andrew Buhayar + Ido Mor

Do You Know Larry Brilliant?

Bruce Mau gave a lecture on Wednesday (November 14, 2007) evening to a packed house at Archeworks —and no, the lecture was not completely about Larry Brilliant–but we’ll get to that …Mau’s essay for this lecture will be published for The Archeworks Papers, Volume 1, Number Five that will be released in Spring 2008.

His reading began with the question, “Now that we can do anything, what will we do?”

To begin answering the question he first broke it down by addressing: Who are “we”; whether “we” can actually do anything; and the overall ethical obligation that comes with answering the question.

The question is very much in the spirit of Mau’s ongoing Massive Change work, in which he challenges designers to apply themselves beyond the “old thinking” of pure aesthetics. New thinking, according to Mau, must, “address complex systems. Take the practice of design to a higher level of resolution,” said Mau.

To begin, Mau discussed how in the first half of the 20th century, Marcel Duchamp broke away from the institution of the museum, testing the notion that art exists in any object or context. To this day, experts are still attempting to interpret Duchamp’s work and philosophy. Mau deemed that design has yet to make such a leap, but shared a few examples of people with the courage to think differently.

Mau spoke about the work of several individuals, all of whom are working on problems that will “change the world”. In fact, Dean Kamen, inventor of the Segway, won’t waste his time with anything less. Kamen is now working on using Sterling engines to convert biomass into electricity. Not stopping there, Kamen went beyond the standard 25 percent conversion efficiency, making use of the remaining 75 percent (which would normally go to waste) for water purification. Mau also talked about Janine Benyus, co-founder of Biomimicry Guild, who is developing “the Google of biomimicry,” as he called it—a search tool bringing the scientific knowledge of natural systems to designers around the world. Jaime Lerner was the third example, famous for bringing sustainable transformation the Brazilian city of Curitiba, and tremendously bettering quality of life of its citizens during his time as Mayor.

Finally, we came to Larry Brilliant.

In a show of hands it appeared only one or two people in the audience had ever heard of Brilliant—one of the leaders behind the World Health Organization project to eradicate smallpox. “There’s something wrong with our culture,” noted Mau,” when we’re paying homage to Britney Spears and not recognizing people like Larry Brilliant.” Mau urged designers to move beyond the temporal trends of fashion and aesthetic, and take on problems with greater complexity, adding, “We have created an ethical obligation to act.” In the end he reminded the audience of the famous tagline from the Massive Change movement, “It’s not about the world of design. It’s about the design of the world.”

October 04, 2007

The ING DIRECT Café

Sip. Surf. Save.

 Aroundtowningcafe

Walking into the Café at Chestnut and Wabash is a pleasant surprise. A wide-open space with plenty of light coming through the windows is dotted with small tables in the center and easy chairs in the corner. An approachable counter with staff ready to serve reasonably priced coffee and sandwiches lies straight ahead. Free internet kiosks along one window are easily accessible, and along the other window a long counter with chairs allows easy set up for laptops. Four big screen televisions quietly broadcast CNBC news, and business magazines and newspapers are ready for perusal. People are scattered throughout the space using the free wifi, eating and drinking, working, and just relaxing.

This place seems like a nice space to just hang out and that’s exactly what ING DIRECT wants you to think. ING DIRECT is a bank that is operated entirely online, over the phone, or by mail. There are no physical banks to go to for banking services, which helps to lower costs and pass the savings on to customers. The ING DIRECT Cafés that are being opened—Chicago is the fifth and most recent café—are not places to go for banking services. They do offer some seminars about money, and the barista behind the counter can answer questions and help you open an account at one of the Internet kiosks, but that is not the main service of the café. What the café is offering is an experience: sip a delicious latte, surf the Internet for free, and learn how to save money.

The concept of experience or service design is something that comes up freqently at ID. How can designers “design” experiences? At ID's Design Research Conference last weekend, Shelley Evenson, Associate Professor at Carnegie Mellon University, gave a presentation on the subject of “Designing for Service: New Ways to Get at the Heart of Service Experience.” Shelley explained that the concept of designing an experience is not quite accurate. Designers can’t “design” experience, but they can design resources that help to create an experience. These resources enable choreographed interactions that in turn create value, utility, satisfaction, or delight.

The ING DIRECT Café offers an interesting case study of experience design and a fresh look at what the banking experience might be. Instead of just focusing on improving the customer’s experience using online banking services, the company offers services that don’t directly relate to banking. Using the model of a café gives the customer a familiar and tangible experience. It creates a feeling of comfort with the bank that can be compared to the level of comfort people experience at a local coffee shop. They are telling us that the ING experience is not scary or hard, it’s friendly and easy. This is reiterated by the motto on the wall: “We make banking as simple as getting a cup of coffee.”

If you want to visit the Café it’s located at 21 E. Chestnut, about a mile northeast of ID. Make sure to print out the online coupon for a free coffee drink before you go.

The ING DIRECT Café

Sip. Surf. Save.

 Aroundtowningcafe

Walking into the Café at Chestnut and Wabash is a pleasant surprise. A wide-open space with plenty of light coming through the windows is dotted with small tables in the center and easy chairs in the corner. An approachable counter with staff ready to serve reasonably priced coffee and sandwiches lies straight ahead. Free internet kiosks along one window are easily accessible, and along the other window a long counter with chairs allows easy set up for laptops. Four big screen televisions quietly broadcast CNBC news, and business magazines and newspapers are ready for perusal. People are scattered throughout the space using the free wifi, eating and drinking, working, and just relaxing.

This place seems like a nice space to just hang out and that’s exactly what ING DIRECT wants you to think. ING DIRECT is a bank that is operated entirely online, over the phone, or by mail. There are no physical banks to go to for banking services, which helps to lower costs and pass the savings on to customers. The ING DIRECT Cafés that are being opened—Chicago is the fifth and most recent café—are not places to go for banking services. They do offer some seminars about money, and the barista behind the counter can answer questions and help you open an account at one of the Internet kiosks, but that is not the main service of the café. What the café is offering is an experience: sip a delicious latte, surf the Internet for free, and learn how to save money.

The concept of experience or service design is something that comes up freqently at ID. How can designers “design” experiences? At ID's Design Research Conference last weekend, Shelley Evenson, Associate Professor at Carnegie Mellon University, gave a presentation on the subject of “Designing for Service: New Ways to Get at the Heart of Service Experience.” Shelley explained that the concept of designing an experience is not quite accurate. Designers can’t “design” experience, but they can design resources that help to create an experience. These resources enable choreographed interactions that in turn create value, utility, satisfaction, or delight.

The ING DIRECT Café offers an interesting case study of experience design and a fresh look at what the banking experience might be. Instead of just focusing on improving the customer’s experience using online banking services, the company offers services that don’t directly relate to banking. Using the model of a café gives the customer a familiar and tangible experience. It creates a feeling of comfort with the bank that can be compared to the level of comfort people experience at a local coffee shop. They are telling us that the ING experience is not scary or hard, it’s friendly and easy. This is reiterated by the motto on the wall: “We make banking as simple as getting a cup of coffee.”

If you want to visit the Café it’s located at 21 E. Chestnut, about a mile northeast of ID. Make sure to print out the online coupon for a free coffee drink before you go.

September 13, 2007

Around Town: Pecha Kucha Night

PechakuchaPecha Kucha, a show-and-tell for creatives, is making its second appearance in Chicago on Tuesday, September 25th. The idea here is to gather creative people and give them a venue to easily and informally share their work. Started in 2003 by Tokyo-based architects Astrid Klein and Mark Dytham, Pecha Kucha Nights have spread to over 80 cities around the world.

In case you're wondering, the name Pecha Kucha comes from the Japanese term for the sound of conversation, or chit-chat. The format is simple. Using a slide show, selected presenters have exactly 6 minutes and 40 seconds to share their ideas. This breaks down to 20 slides at 20 seconds per slide. Every presenter gets a fair share of time, the presentations are kept short, and there is a wide variety of subject matter. The audience never knows what to expect, and that’s part of the fun.

All the presenters — designers, architects, writers, performance artists, you name it — for each event are local. This provides a great opportunity to see what is going on in creative fields in Chicago. It may inspire and lead to a new idea, stimulate collaboration on a new project, or just be a fun way to enjoy a drink with interesting people.

Although the presenters for this round of Pecha Kucha have been decided, presenting at a future event could be a way to share what we are working on at ID with the community. It’s also interesting to think about how this idea could be used at ID. If projects were periodically presented in the 20x20 format it could allow a larger audience to not only see them, but also provide feedback. The informal format wouldn’t require too much time for either the presenter or the audience and would help spread ideas around ID.

The first Chicago Pecha Kucha had over 200 people in attendance, so it’s a good idea to get tickets in advance. Tickets can be purchased at www.martyrstickets.musictoday.com/Martyrs/calendar.aspx.

Details:
8 pm, Tuesday, September 25th
Martyrs' Restaurant and Pub, 3855 N. Lincoln Ave.
www.pecha-kucha.org/chicago

Around Town: Pecha Kucha Night

PechakuchaPecha Kucha, a show-and-tell for creatives, is making its second appearance in Chicago on Tuesday, September 25th. The idea here is to gather creative people and give them a venue to easily and informally share their work. Started in 2003 by Tokyo-based architects Astrid Klein and Mark Dytham, Pecha Kucha Nights have spread to over 80 cities around the world.

In case you're wondering, the name Pecha Kucha comes from the Japanese term for the sound of conversation, or chit-chat. The format is simple. Using a slide show, selected presenters have exactly 6 minutes and 40 seconds to share their ideas. This breaks down to 20 slides at 20 seconds per slide. Every presenter gets a fair share of time, the presentations are kept short, and there is a wide variety of subject matter. The audience never knows what to expect, and that’s part of the fun.

All the presenters — designers, architects, writers, performance artists, you name it — for each event are local. This provides a great opportunity to see what is going on in creative fields in Chicago. It may inspire and lead to a new idea, stimulate collaboration on a new project, or just be a fun way to enjoy a drink with interesting people.

Although the presenters for this round of Pecha Kucha have been decided, presenting at a future event could be a way to share what we are working on at ID with the community. It’s also interesting to think about how this idea could be used at ID. If projects were periodically presented in the 20x20 format it could allow a larger audience to not only see them, but also provide feedback. The informal format wouldn’t require too much time for either the presenter or the audience and would help spread ideas around ID.

The first Chicago Pecha Kucha had over 200 people in attendance, so it’s a good idea to get tickets in advance. Tickets can be purchased at www.martyrstickets.musictoday.com/Martyrs/calendar.aspx.

Details:
8 pm, Tuesday, September 25th
Martyrs' Restaurant and Pub, 3855 N. Lincoln Ave.
www.pecha-kucha.org/chicago